By working with a significant style home on this project http://www.usfestivals.com we’re revamping that tradition for the 21st century. I’ve always been a giant fan of Givenchy and Riccardo Tisci’s workhttp://www.usfestivals.com so it was an exquisite alternative to work with him. Classical European paintings of noblemenhttp://www.usfestivals.com royalty and aristocrats. My goal was to have the ability to paint illusionistically and grasp the technical elementshttp://www.usfestivals.com but then to be able to fertilize that with nice ideas. I was skilled to paint the body by copying the Old Master workhttp://www.usfestivals.com so in some bizarre means this may be a return to how I earned my chops — spending a lot of time at museums and watching white flesh. If you take a look at my workhttp://www.usfestivals.com there’s one thing about lipshttp://www.usfestivals.com eyeshttp://www.usfestivals.com and mucous membranes.
In the foreground are two figures – an Indigenous manhttp://www.usfestivals.com sketched in blackhttp://www.usfestivals.com holding a bottlehttp://www.usfestivals.com linked with a luminous beinghttp://www.usfestivals.com painted in whitehttp://www.usfestivals.com who holds a pipe crammed with sacred tobacco. Everything has that means within the tradehttp://www.usfestivals.com from the choice of symbols to the colours used in every portrayhttp://www.usfestivals.com the artists clarify. The two artistshttp://www.usfestivals.com born in the same 12 months and identical month …